Rhythmic sensitivity in conducting, tactometric models, and methods of working with the score

Abstract

The article analyzes the issues of rhythmic sensitivity, mastering tactometric models, methods of working with a score and preparation for working with an ensemble at the initial stages of conducting. The psychophysiological and technical foundations of rhythm, directions of conducting in complex measures, structural, harmonic and timbre aspects of score analysis are covered. Psychological and organizational factors of the process of working with an ensemble are considered on a scientific basis.