Performance on Uzbekistan folk instruments: opportunities and prospects

Abstract

In this article The article discusses the centuries-old history of performance on Uzbek folk instruments, the evolutionary processes of its improvement, performance schools, master-student traditions, stages of performance from oral tradition to professional level, etc. An attempt has been made to highlight the important manifestations of the art of performing on folk instruments as not only a means of transmitting traditions from generation to generation, but also as a factor in the understanding of national identity and the development of artistic and aesthetic thinking.