Abstract
This article analyzes the role of rubob prima in the system of Uzbek folk instruments, its unique structure, performance capabilities, timbre characteristics and functional significance in the ensemble and orchestra. Also, the differences between rubob prima and other folk instruments, its role in national music performance and its significance in professional music education are scientifically and theoretically covered. The article discusses the technical and artistic capabilities of the rubob prima instrument, its performance styles and its role in enriching the traditions of national instrument performance.
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